The Penguin Press


New Illustrated Book: Windows on the World: Fifty Writers, Fifty Views by Matteo Pericoli

Matteo Pericoli is the author of Windows on the World: 50 Writers, 50 Views. Full Bio

New Illustrated Book:  Windows on the World: Fifty Writers, Fifty Views by Matteo Pericoli

Orhan Pamuk
Istanbul, Turkey

Most of my writing time is spent forming the next sentence in my imagination. When my mind is busy with words, all by itself my eye moves away from the page and the tip of the fountain pen. This is the landscape I have gazed upon through my Istanbul window for the last fifteen years. On the left side is Asia and in the middle the Bosphorus and its opening to the Sea of Marmara, as well as the islands I have been going to each summer for fifty-eight years. To the right is the entrance to the Golden Horn and the part of the city that Istanbul residents refer to as the Old Town, home of the Ottoman dynasty for four centuries, including Topkapi Palace, Hagia Sophia, and the Blue Mosque.

I sometimes proudly declare I am a writer who wrote a historical novel, My Name Is Red, set in a location constantly before my eyes. To the popular question inquisitive guests and visiting journalists ask—“Doesn’t this wonderful view distract you?”—my answer is no. But I know some part of me is always busy with some part of the landscape, following the movements of the seagulls, trees, and shadows, spotting boats and checking to see that the world is always there, always interesting, and always a challenge to write about: an assurance that a writer needs to continue to write and a reader needs to continue to read.

New Nonfiction: Stalin Volume I: Paradoxes of Power, 1878-1928 by Stephen Kotkin

Stephen Kotkin is the author of Stalin: Volume 1: Paradoxes of Power, 1878-1928. Full Bio

New Nonfiction: Stalin Volume I: Paradoxes of Power, 1878-1928 by Stephen Kotkin

Stalin, in three volumes, tells the story of Russia’s power in the world and Stalin’s power in Russia, recast as the Soviet Union. In some ways the book builds toward a history of the world from Stalin’s office (at least that is what it has felt like to write it). Previously, I authored a case study of the Stalin epoch from a street-level perspective, in the form of a total history of a single industrial town. The office perspective, inevitably, is less granular in examination of the wider society—the little tactics of the habitat—but the regime, too, constituted a kind of society.

Moreover, my earlier book was concerned with power, where it comes from and in what ways and with what consequences it is exercised, and so is this one. The story emanates from Stalin’s office but not from his point of view. As we observe him seeking to wield the levers of power across Eurasia and beyond, we need to keep in mind that others before him had grasped the Russian wheel of state, and that the Soviet Union was located in the same difficult geography and buffeted by the same great-power neighbors as imperial Russia, although geopolitically, the USSR was even more challenged because some former tsarist territories broke off into hostile independent states. At the same time, the Soviet state had a more modern and ideologically infused authoritarian institutional makeup than its tsarist predecessor, and it had a leader in Stalin who stands out in his uncanny fusion of zealous Marxist convictions and great-power sensibilities, of sociopathic tendencies and exceptional diligence and resolve. Establishing the timing and causes of the emergence of that personage, discernible by 1928, constitutes one task. Another entails addressing the role of a single individual, even Stalin, in the gigantic sweep of history.

New Anthology: Bohemians, Bootleggers, Flappers, and Swells: The Best of Early Vanity Fair by Graydon Carter and David Friend

New Anthology: Bohemians, Bootleggers, Flappers, and Swells: The Best of Early Vanity Fair by Graydon Carter and David Friend

From October 1916


You see, this was the way it happened. The first one of them all was Ralph. His was one of those sweet, unsullied natures that believes everything it sees in the papers, and no matter what I said, he would gaze into my eyes and murmur “yes.” He had positively cloying ideas about women. If any girl in his vicinity lit a cigarette, Ralph’s eyes, behind their convex lenses, assumed the expression of a wounded doe’s. He superfluously assisted me up and down curbs; he was always inserting needless cushions behind my back. He laboriously brought me a host of presents that I didn’t want— friendship calendars, sixth- best sellers, and the kind of flowers that one puts in vases— but never wears. He had acquired a remarkable muscular development merely from helping me on with so many wraps and coats. His greatest fault was his lack of them. I felt that life with Ralph would be a deep dream of peace, and I was just on the verge of giving him his answer and receiving his virginal kiss, when, in a flash of clairvoyance, I had a startlingly clear vision of the future. I seemed to see us— Ralph and me— settled down in an own- your- own
bungalow in a twenty- minute suburb. I saw myself surrounded by a horde of wraps and sofa pillows. I saw us gathered around the lamp of a winter evening, reading aloud from “Hiawatha.” I saw myself a member of the Society Opposed to Woman Suffrage . . . . . .
So I told Ralph that I wouldn’t, just as gently as possible, and he went away to sob it out on his mother’s shoulder.


Maximilian was the next disillusionment. He was an artist and had long nervous hands and a trick of impatiently tossing his hair out of his eyes. He capitalized the A in art. Together we plumbed the depths of Greenwich Village, seldom coming above Fourteenth Street for air. We dined in those how- can- they‑do‑it‑for- fifty- cents table d’hôtes, where Maximilian and his little group of serious thinkers were wont to gather about dank bottles of sinister claret and flourish marked copies of “The Masses.” I learned to make sweeping gestures with my bent- back thumb, to smile tolerantly at the mention of John Sargent; to use all the technical terms when I discussed Neo-Malthusianism. Maximilian made love in an impersonal sort of way. He called me “Comrade” and flung a casual arm across my shoulders whenever he happened to think of it.
But the end came. Maximilian painted my portrait. Chaperoned by an astounded aunt, I posed for him in an utterly inadequate bit of green gauze; posed until every muscle ached. Finally, one day, Maximilian flung his brush across the room— narrowly missing my aunt— threw himself into a chair, and wearily drew his hand across his eyes, murmuring, “It is done.”

I stole around and looked over his shoulder at the canvas— and immediately Love went out of my life. Reader— are you by any chance a pool-player? Well, the only thing I can think of that the portrait resembled was what is known in pool circles as an “open break.” I turned and fled from Max and Bohemia. I didn’t know much about Art, but I knew what I didn’t like.


Perhaps it was only natural that the next one should be Jim. He was a thirty- third degree man about town. He could tell at a glance which one of the Dolly Sisters was Mrs. Harry Fox, and he could keep track of Nat Goodwin’s marriages without calling in the aid of an expert accountant and a Burrowes adding machine. His peacock blue Rolls- Royce had worn a deep groove in Broadway and his checked suits kept just within the law about disturbing the public peace. Jim was a man of few words; his love- making consisted of but two phrases—“ What are you going to have?” and
“Where do we go from here?” I shall never forget the thrill of entering restaurant after restaurant with Jim and watching the headwaiters do everything but kiss him.
It was an idyll, while it lasted. We used to sit, a table’s breadth apart, at cabarets, and shriek soft nothings at each other above the blare of the Nubian band, while waiters literally groveled at our feet. Jim gave me the deepest, truest love he had ever given a woman. In his affections I was rated third— first, and second, Haig and Haig; and then, third, me. I began to feel that life with him would be one long all- night cabaret, and I was just about to become the owner of the largest engagement ring in the city, when, one night we went to a dinner. Not a cabaret dinner, but one where two famous authors sat and ate with their forks, just like regular people. Everyone was properly stricken with awe— everyone, that is, but Jim. While the rest of us hung on the gloomy utterances of the authors, Jim loudly discussed (with a kindred spirit across the table) the certainty of “Hatrack’s” winning the fourth race at Belmont Park, offering to back his conviction with a large quantity of coin of the realm, and urging that his friend either produce a similar amount of currency, or else desist from arguing. Under cover of the table, I kicked him into quietude. Presently a point was reached in the lofty- browed discourse whereon the two celebrities differed, and, as if going to the right source for information, they turned to Jim.
“Now what is your opinion of Baudelaire?” they inquired.
Jim looked up with that same perfectly‑at‑home air with which he entered the New Amsterdam theater on the first night of the Follies.
“I really can’t say,” he explained, affably, “I’ve never seen him get a good sweat- out in practise.”
The silence that ensued seems still to crash in my ears . . .


New Nonfiction: Victoria: A Life by acclaimed biographer A.N. Wilson

A. N. Wilson is an accomplished biographer and the author of Victoria: A Life. Full Bio

Victoria for website


Victoria was indeed situated as mortal seldom was. This makes her story of abiding fascination. Her father and mother might so easily not have had a child at all. Once born, Victoria’s often solitary childhood was the oddest of preparations for what she was to become: not merely the mother of nine and the grandmother of forty-two children, but the matriarch of Royal Europe. She was either the actual ancestor of or was connected by marriage to nearly all the great dynasties of Europe, and in almost each of those crowned or coroneted figureheads, there was bound up a political story. Her destiny was thus interwoven with that of millions of people—not just in Europe, but in the ever-expanding Empire which Britain was becoming throughout the nineteenth century. One day to be named the Empress of India, the ‘pretty-looking little creature’ had a face which would adorn postage stamps, banners, statues and busts all over the known world. And this came about, as the Germanophile Thomas Carlyle would have been the first to recognize, because of the combination of two peculiar factors: firstly, that Victoria was born at the very moment of the expansion of British political and commercial power throughout the world; and secondly that she was born from that stock of (nearly all German) families who tended to supply the crowned heads for the monarchies of the post-Napoleonic world.

New Nonfiction: Knife Fights: A Memoir of Modern War in Theory and Practice by John A. Nagl

New Nonfiction: Knife Fights: A Memoir of Modern War in Theory and Practice by John A. Nagl

Ghostriders in the Storm

When do you want to meet the men, Lieutenant?” The Puerto Rican accent was always thick, but it got thicker when he was mad. We’d goad him on purpose, pretending not to be able to understand him, until Sergeant Claudio got so frustrated that he’d throw his hat onto the hot sand and stomp off spouting unintelligible Puerto Rican expletives. It never got old.

But that came later, after I’d met the men. “Um, now, I guess,” was my answer, sounding a bit more like the soft graduate student of international relations I’d recently been and less like the gruff, hardened first lieutenant of armor I hoped to project to my troops.

I’d just left Oxford in the summer of 1990. After allowing me to read books and drink warm English beer for two years, the Army had ordered me to remedial tank training at Fort Knox before an assignment to Fort Hood, Texas, the largest army post in the free world. More…

New Nonfiction: Even This I Get to Experience by Norman Lear

New Nonfiction: Even This I Get to Experience by Norman Lear

Early one Sunday morning in 1983, I got a call from my friend John Mitchell, who was then the president of the Academy of Television Arts & Sciences. He was calling to tell me that the academy was creating a Hall of Fame and that I, along with six others whose illustrious company it astounded me to be included among, was to be one of the first inductees.

I instantly phoned my mother back in Bridgeport, Connecticut. Now, I thought, I would finally get the maternal seal of approval that I was still searching for at age sixty-one. She answered with her usual three syllables, “Hell-ohoh,” a sound that always seemed caught between a whine and a cry of pain. In my exultant mood, though, I heard it this time as if she’d exclaimed, at last, in a tone of naked delight, “Norman, sweetheart!”

“Mother,” I exploded, “I just got a confidential call from a friend. Nobody knows this yet so you can’t tell anyone, but the Television Academy is starting a Hall of Fame, and these will be the first inductees: the man who started NBC, General David Sarnoff; the founder of CBS, William S. Paley; maybe the greatest newscaster of all time, Edward R. Murrow; easily the best writer that ever came out of television, Paddy Chayefsky; the two greatest comedians in television history, Lucille Ball and Milton Berle; and . . . me!”

My mother didn’t miss a beat. “Listen,” she said, “if that’s what they want to do, who am I to say?” More…